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Jean Gabin Alexis Moncorgé (born Jean-Alexis Moncorgé), known as Jean Gabin (; 17 May 190415 November 1976), was a French actor and singer. Considered a key figure in French cinema, he starred in several classic films, including Pépé le Moko (1937), La grande illusion (1937), Le Quai des brumes (1938), La bête humaine (1938), Le jour se lève (1939), and (1952). During his career, he twice won the Silver Bear for Best Actor from the Berlin International Film Festival and the Volpi Cup for Best Actor from the Venice Film Festival, respectively. Gabin was made a member of the Légion d'honneur in recognition of the important role he played in French cinema.


Biography

Early life
Gabin was born Jean-Alexis Moncorgé in Paris, the son of Madeleine Petit and Ferdinand Moncorgé, a cafe owner and entertainer whose stage name was Gabin, which is a first name in French. He grew up in the village of Mériel in the (now Val-d'Oise) département, about 22 mi (35 km) north of Paris. He attended the Lycée Janson de Sailly. Gabin left school early, and worked as a laborer until the age of 19 when he entered show business with a bit part in a Folies Bergère production. He continued performing in a variety of minor roles before going into the military.


Career

Early days
After completing his military service in the , he returned to the entertainment business, working under the of Jean Gabin at whatever was offered in the Parisian and , imitating the singing style of Maurice Chevalier, which was the rage at the time. He was part of a troupe that toured South America, and upon returning to France found work at the . His performances started getting noticed, and better stage roles came along that led to parts in two in 1928.

Two years later Gabin made the transition to sound films in a 1930 Pathé Frères production, Chacun sa chance. Playing secondary roles, he made more than a dozen films over the next four years, including films directed by and . But he only gained real recognition for his performance in Maria Chapdelaine, a 1934 production directed by . He was then cast as a romantic hero in the 1936 war drama La Bandera; this second Duvivier-directed film established him as a major star. The next year he teamed up with Duvivier again in the highly successful Pépé le Moko. Its popularity brought Gabin international recognition. That same year he starred in 's La Grande Illusion, an antiwar film that ran at a New York City theatre for an unprecedented six months. This was followed by another of Renoir's major works, La Bête Humaine ( The Human Beast), a tragedy based on the novel by Émile Zola and starring Gabin and , as well as Le Quai Des Brumes ( Port of Shadows), one of director Marcel Carné's classics of . His rugged charisma could be compared with Humphrey Bogart and James Cagney.

He divorced his second wife in 1939.


Hollywood
In the late 1930s Gabin was flooded with offers from Hollywood, but turned them all down until the outbreak of World War II. After the German occupation of France in 1940, he joined Renoir and Duvivier in the United States. During his time in Hollywood, Gabin began a romance with actress that lasted until 1948. Marlene Dietrich und Jean Gabin – Ein ungleiches Liebespaar 21 January 2013, 50 Jahre deutsch-französische Freundschaft, Deutsch-französische Paare. Arte TV (German) His films in America— (1942) and The Impostor (1944), the latter with Duvivier—were not successful.


World War II action
Undaunted, Gabin joined General Charles de Gaulle's Free French Forces and earned the Médaille militaire and a Croix de Guerre for his wartime valor fighting with the Allies in North Africa. Following , Gabin served with the 2nd armored division that liberated Paris.


Career slump
In 1945 Carné chose Gabin to star in the film Gates of the Night with Dietrich as his co-star. She disliked the screenplay and feared her German accent would not go over well with postwar French audiences. When she withdrew from the project, Gabin followed suit, leading to a falling out with Carné. He found a French producer and director willing to cast him and Dietrich together, but the film, , was not a success and their personal relationship soon ended. In 1948 Gabin starred in René Clément's poetic realist film The Walls of Malapaga (Au-delà des grilles), which won an Oscar for Best Foreign Language Picture but garnered little recognition for Gabin. In 1949 he starred in his only role in legitimate theatre in 's La Soif. It ran in Paris for six months, with Gabin critically praised as "a first-rate stage actor." Despite this recognition, his subsequent films did not do well at the French box office, and the next five years brought repeated failures.


Comeback
Gabin's career seemed headed for oblivion until the 1954 film Touchez pas au grisbi ( Don't Touch the Loot), directed by , earned him critical acclaim. The film was very profitable internationally. He then worked once again with Renoir in , with María Félix and Françoise Arnoul. Gabin played 's detective in three films in 1958, 1959 and 1963. Over the next 20 years, he made almost 50 more films, most of them very successful commercially and critically, including many for Gafer Films, his production partnership with fellow actor . His co-stars included such leading figures of postwar cinema as ( En cas de malheur), ( Le Clan des Siciliens, Mélodie en sous-sol and Deux hommes dans la ville), Jean-Paul Belmondo ( Un singe en hiver) and Louis de Funès ( Le Tatoué).


Death
Gabin died of at the American Hospital of Paris, in the Parisian suburb of Neuilly-sur-Seine. His body was cremated, and—with full military honours—his ashes were scattered at sea from a military ship.


Legacy
  • Gabin is considered one of the greatest stars in French cinema, and was appointed Officier de la Légion d'honneur.
  • In 1981, French actor Louis de Funès initiated the Prix Jean Gabin, an accolade presented to upcoming actors in the French film industry. It was awarded annually from 1981 to 2006.
  • The Musée Jean Gabin—in the commune of Mériel, where he grew up—narrates his story and features his film memorabilia.
  • The Place Jean Gabin was inaugurated on 16 May 2008 by , the then mayor of the 18th arrondissement of Paris, and Gabin's children. It is on the corner of rue Custine and rue Lambert, at the foot of .
  • The Cinema Jean Gabin in Montgenèvre was named for him. Montgenèvre describes itself as France's oldest ski resort, and was a popular holiday destination for Gabin and other French artists and intellectuals, including .
  • Gabin bought land in , most notably and Moulins-la-Marche, where a street is named in his honour and the race track he created, Hippodrome Jean Gabin still bears his name.
  • The character from the manga is named after him.


Filmography

Further reading
  • Jean-Michel Betti: Salut, Gabin! Ed. de Trévise, Paris 1977.
  • André Brunelin: Gabin Herbig, München/Berlin 1989, ; Ullstein TB 36650, Frankfurt am Main/Berlin 1996, .
  • Claude Gauteur: Jean Gabin. Nathan, Paris 1993, .
  • Joseph Harriss: "Jean Gabin: The Actor Who Was France." McFarland, Jefferson, NC 2018
  • Jean-Marc Loubier: Jean Gabin, Marlène Dietrich: un rêve brisê, Acropole, Paris 2002, .
  • Eine unvollendete Liebe. Marlene Dietrich und Jean Gabin. Documentary, Germany, 2012, 52:30 Min., Book and directed by Daniel Guthmann, Christian Buckhard, Production: DG Filmproduktion, WDR, , first shown: 9 February 2013, arte. contains interviews with Louis Bozon and Jean-Jacques Debout, and Gabin's children Florence and Mathias.


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